![]() ![]() Typical for Brandon was his depicting of contemporary Jewish, religious life, something Pissarro, also born a Jew, neglected. Still he never uses juxta-posed brushstrokes. His brushstroke is more loose, not rendering small details. The influence of light is mostly clair-obscure wise. But in many of his paintings Brandon uses a lot of browns, blacks and greys. In these works he also depicted every day life. In several Italian pictures (1856-63ca) his palet is more bright, he renders the influence of light and even sometimes uses blueish shadows, this is before Monet did so in 1869 (R22,CR133). This makes Brandon more a side-figure within the ‘impressionist’ art-movement.īrandon depicted many works on Saint-Brigit of Sweden (1303-73), which betrays a neo-classical influence. For the rest there doesn’t seem to be close contacts with other Impressionists. He was the teacher of Rouart, was befriended with Degas, de Nittis and probably had some contacts with Legros, Morisot and Félix Bracquemond. Impressionism, the partakers of the expositions: Édouard Brandon (1831-1897)ĭepicting Saint-Brigit, contemporary Italians, Jewish believers and moreīrandon only exhibited at the 1st ‘impressionist’ exposition. ![]() +/-Expos Impressionnistes et Symbolistes.-/-chronology meeting and painting together.-/-Expositions: number of works exhibited. ![]()
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